Archive for the ‘Sound’ Category

the Morphtet

The Morphtet is a piano trio based around the concepts of acoustic interaction and melding barrlehouse with polyrhythms.

MorphtetHonkyTonk228

themorphtet.com

Music and Movement Series

Mayne Stage.  Musical Performance.  Chicago, 2011

This was a gorgeous evening of dance and music, part of the 2011 Chicago World Music Festival.  I played keyboards for the 3-part musical suite musically directed by Carlo Basile of Las Guitarras de Espana.  The piece featured movement and sound  from the worlds of modern jazz & dance, flamenco, and Indian and African contributions from the evening’s previous ensembles.

Dancing At The Revolution

EP Theathre. Original music production / Sound design. Chicago, 2008.

For this highly stylized theatrical retelling of the life of rabble-rouser Emma Goldman, I wrote music that updated the period socialist-songbook style with some modern sounds and improvisational elements.  Here are the overture and the curtain music, two of my favorite pieces from the show.

 

“Overture”
“Curtain: Go Down, Em”

Mt Greenwood Sound Sculpture

Mt. Greenwood Park.  Performance, Audio Co-Production. Chicago, 2008.

This piece was a lot of fun – a performance to inaugurate Chicago Sculpture Works’ piece, Sound Sculpture. The inauguration of the new park and the sculpture itself was capped by a performance by myself, Jacob Worley-Hood, and some percussionists from around Chicago.

Jacob and I co-produced the audio recording for the event, which is the audio track for the video clip below.  The performance was a structured improvisation created by the performers in the days before the inauguration.

Bride of Acacias

Chopin Theatre. Design / Video / Sound. Chicago, 2006

A whilrwind of a one-woman play, this biographic piece traveled around Iran and to Europe and back, following the life of legendary Iranian film-maker Forough Farrokhzad.

Working with source video brought from Iran by the playwright and my own thematic motion graphics, the designer and I came up with a model that would work both as a scenic backdrop and as a metaphor for a woman who often looked at the world through the barriers of her identity.

{ photos by gretchen werner }